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【Sold by Japanese Sellers・Shipped from Japan】
・ Operated by Japanese Sellers – Japanese sellers carefully handle everything from product selection to shipping.
・ Direct Shipping from Japan – Your order will be shipped directly from Japan.
・ Product Selection with Japanese Quality in Mind – We introduce products while valuing the usability and sense of reliability that Japanese products are known for.
・ About Included Manuals – If a manual is included, it will mainly be written in Japanese. We recommend using an image translation app if needed.
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SM070 Sunshoan_Gold Leaf Paper Special Selection Sunshoan: A thin layer of gold leaf paper is applied to gold leaf paper. This gives the gold a matte finish, and the delicate texture of the gold leaf paper adds elegance. The gold leaf paper is sizing-treated, so you can enjoy calligraphy and painting without the ink repelling or bleeding. It is also ideal for works that are glued, such as collages and pressed pictures. Dimensions: 136 x 121 mm Material: Gold leaf paper
Other ■SK001 Small Shikishi_Marumatsu: For illustrations and signatures. White paper for signatures that does not bleed. While it doesn't have the texture or beauty of washi paper, it is certainly easy to write on as it doesn't bleed and doesn't snag. Material: Paper ■SK006 Small Shikishi_Matsuin: Pure white hosho paper. Easy to write on and absorbs well, but does not bleed much. The surface is smooth. Material: Hosho paper
■SK050 Small Shikishi_Torinoko Paper: The paper has dense fibers and a very smooth texture. It absorbs ink slowly and does not bleed, making it ideal for works that are glued, such as kana calligraphy, drawings, collages, and pressed pictures. Material: Machine-made Torinoko paper ■SK008 Small Shikishi_Ume-in: Pure white machine-made Gasan paper. It is easy to write on and absorbs ink well, but does not bleed too much. It has good color development and a good writing feel, making it popular for both calligraphy and painting. The textured surface has a charming feel. Material: Gasan paper with ridges
■SK009 Small Shikishi_Ume-jirushi Dosa-hiki: Pure white machine-made drawing paper with dosa. Therefore, it absorbs ink slowly and does not bleed. Material: Drawing paper with ridges and dosa-hiki ■SM100-005 Sunshoan_Cotton paper red: Paper that does not bleed. It has a wide range of vivid colors and is suitable as a base for collages, etc. Material: Cotton paper
■SM100-006 Sunshoan_Cotton Paper Black: This paper has a non-bleeding quality. It comes in a wide range of vivid colors and is suitable for use as a base for collages, etc. Material: Cotton paper ■SM001 Sunshoan_Marumatsu: For illustrations and signatures. A white paper for signatures that does not bleed. While it doesn't have the texture or beauty of washi paper, it is certainly easy to write on as it doesn't bleed and doesn't snag. Material: Paper
■X002-02 Sunshoan_Gasen Shikishi: Pure white machine-laminated gasen paper. Easy to write on and absorbs ink well, but does not bleed excessively. It has good color development and a pleasant writing feel, making it popular for both calligraphy and painting. Material: Gasen paper with ridges.
■SM070 Sunshoan_Gold Leaf Paper Special Selection: A thin layer of gold leaf paper is applied to gold leaf paper. This gives the gold a matte finish, and the delicate texture of the leaf paper adds elegance. The leaf paper is sizing-treated, so you can enjoy calligraphy and painting without ink bleeding. It is also ideal for works that are glued, such as collages and pressed pictures. Material: Gold leaf leaf paper ■SM006 Sunshoan_Matsuin: Pure white hosho paper. Easy to write on and absorbs ink well, but does not bleed much. The surface is smooth. Material: Hosho paper
■SM008 Sunshoan_Ume-jirushi: Pure white machine-printed calligraphy paper. Easy to write on and absorbs ink well, but does not bleed too much. It has good color development and a good writing feel, making it popular for both calligraphy and painting. The textured surface has a charming look. Material: Calligraphy paper with grooves ■SM009 Sunshoan_Ume-jirushi Dosa-hiki: Pure white machine-printed calligraphy paper with sizing. Therefore, it absorbs ink slowly and does not bleed. The textured surface has a charming look. Material: Calligraphy paper with grooves and sizing
■SK001 Small Shikishi_Marumatsu: For illustrations and signatures. White paper for signatures that does not bleed. While it doesn't have the texture or beauty of washi paper in terms of writing feel, it is certainly easy to write on as it does not bleed and does not snag. Material: Paper ■SK006 Small Shikishi_Matsuin: Pure white hosho paper. Easy to write on and absorbs well, but does not bleed much. The surface is smooth. Material: Hosho paper ■SK050 Small Shikishi_Torinoko paper: The fibers are dense and the paper surface is very smooth. It absorbs slowly and does not bleed, making it ideal for works that are glued, such as kana calligraphy, drawings, collages, and pressed pictures. Material: Machine-made torinoko paper ■SK008 Small Shikishi_Umein: Pure white machine-made gasen paper. Easy to write on and absorbs well, but does not bleed much. It has good color development and a good writing feel, making it popular for both calligraphy and painting. The texture of the bamboo mat is charming. Material: Gansen paper with grooves ■SK009 Small Shikishi_Ume-jirushi Dosa-hiki: Pure white machine-made Gansen paper with sizing. Therefore, it absorbs ink slowly and does not bleed. Material: Gansen paper with grooves and sizing ■SM100-005 Sunshoan_Cotton paper red: Paper that does not bleed. It has a wide range of colors and is vivid, making it suitable as a base for collages, etc. Material: Cotton paper ■SM100-006 Sunshoan_Cotton paper black: Paper that does not bleed. It has a wide range of colors.
Many are vivid and suitable for use as backing paper for collages, etc. Material: Cotton paper ■SM001 Sunshoan_Marumatsu: For illustrations and signatures. White paper for signatures that does not bleed. While it does not have the texture or beauty of washi paper in terms of writing feel, it is certainly easy to write on as it does not bleed and does not snag. Material: Paper ■X002-02 Sunshoan_Gasen Shikishi: Pure white machine-laminated gasen paper. Easy to write on and absorbs well, but does not bleed too much. It has good color development and a good writing feel, making it popular for both calligraphy and painting. Material: Gasen paper with grooves ■SM070 Sunshoan_Kin-senshi Tokusen: Gold paper with a thin layer of lining paper attached. This makes the gold matte, and the light texture of the lining paper gives it an elegant feel. The lining paper is sizing-treated, so you can enjoy calligraphy and painting without it repelling or bleeding. It is also ideal for works that are glued, such as collages and pressed pictures. Material: Gold leaf paper ■SM006-inch Shoan_Matsuin: Pure white Hosho paper. Easy to write on and absorbs well, but does not bleed much. The surface is smooth. Material: Hosho paper ■SM008-inch Shoan_Umein: Pure white machine-made Gasan paper. Easy to write on and absorbs well, but does not bleed much. It has good color development and a good writing feel, making it popular for both calligraphy and painting. The textured surface has a charming feel. Material: Gasan
Paper with grooves ■SM009 Sunmatsuan_Ume-jirushi Dosa-hiki: Pure white machine-made drawing paper with dosa. Therefore, it absorbs ink slowly and does not bleed. The texture of the screen has a charming feel. Material: Drawing paper with grooves and dosa-hiki